Polish Arts Club of Buffalo Polish Arts Club of Buffalo


Pan Tadeusz
A film by Andrzej Wajda

7:00 p.m. on Saturday, June 17 and 3:00 p.m. on Sunday, June 18
at the Center for the Arts, University at Buffalo, North Campus.

Tickets for the performance, $10 each, can be purchased by mail form:
   Krystyna Pienkowska, 212 Bentham Pkwy. E., Amherst, NY 14226 (phone: 839-4480]
   Brownie Trzyzewski, 5 Dennis Lane, Cheektowaga, NY 14227 (phone: 894-1499)
   AmPol Eagle, 3260 Harlem Road, Cheektowaga, NY 14215 (phone 835-9454)



Tadeusz and Zosia
On March 26, 2000, Andrzej Wajda, Poland's fabled film-maker, was awarded an Oscar for Lifetime Achievement. His latest movie, Pan Tadeusz, has proven immensely popular in Poland. Though the country has only a fifth of the population of the United States, within the first month of the film's release it was seen by three million. None the less, such is the resistance of American distributors to films with subtitles that the movie will not go into general distribution in the United States.

Fortunately for Buffalo audiences, the Polish Arts Club arranged for the film to be shown here on May 21. Since that showing was fully sold out ten days ahead of the showing, the Club is bringing the film back for two further showings, as indicated above.

When the film opened in New York City at $25 a ticket, it caused a commotion on the Upper East Side, the lines stretching around the block. Throughout his career, Wajda, now 74 years old, the director of 40 plus feature films and the son of a Polish officer murdered by the Soviets at Katyn, has chosen, to create movies speaking to the Polish spirit and condition. There have been few exceptions.

In discussing this in an interview with Brendan Lemon of the New York Times, Wajda, Poland foremost film-maker, quoted Rousseau, the Swiss-born philosopher who, in 1771, counseled the Poles facing mighty and rapacious neighbors "You cannot prevent them from swallowing you, so you should at least make sure they don't digest you."

That advice was also followed, in his time, by the author of the poem, Adam Mickiewicz. Cast in prison for political activity by the Russians, then banished to central Russia for five years, he chose, following the unsuccessful uprising of 1831, to go into exile in Paris. A fervent Polish patriot to the end, it was in Paris that he wrote Pan Tadeusz as an evocation of his homeland. Stifled and suppressed in occupied Poland, the country's literature thus flourishes abroad. The first line of the poem, in which Mickiewicz likens his homeland to health, the value of which no one fully perceives until it has been lost, articulates eloquently the pain that wave after wave of Polish émigrés have felt in their hearts. For them, his narrative poem recreated the lost homeland in verse. Wajda has transferred it to the more modern medium of the film.



Napoleon's Army on its way to Moscow
The film is based on a book length narrative poem of the same title by Adam Mickiewicz, one of the greatest works of the 19th Century's Romantic Period. It's a love story, set in the luscious Lithuanian countryside, known simply by the name of the young lover, Thaddeus, Pan being a Polish form of address which falls in between Mister and Sir, but is neither. The rollicking tale, which involves feats, hunts, aristocratic feuds, balls and battles, is set in the year 1811-1812. The story weaves around the central theme - the hope of liberation of partitioned Poland. That hope is awakened in Polish hearts by Napoleon and his spectacular string of military successes.

In 1807, having defeated the Prussians with Polish help, Napoleon created the Dutchy of Warsaw from the Polish provinces that had been absorbed by Prussia in 1793 and 1975. Now, he was palnning his Russian campaign. His victory there - the Poles hoped - would liberate Polish provinces absorbed by Russia. Appropiately enough, in France, the movie's subtitle is When Napoleon Crossed the Niemen. The Niemen is a river that lies 1000 miles east of Paris and in 1812 it marked the border between the Dutchy of Warsaw and Russia. Having already brought down two empires, those of Prussia and Austria, he amasses a vast army readying it for the invasion of Poland's perennial oppressor, Imperial Russia. Surely, he will succeed and all of Poland again will be free.

Because, in Poland, Mickiewicz's poem has achieved such an exalted place in the pantheon of the country's literary masterpieces, Wajda had no difficulty in assembling a cast of superstars and most accomplished actors. Likewise, he had as collaborators the most acclaimed production designer, Allan Starski, Oscar winner for Schindler's List and the film soundtrack composer Wojciech Kilar, veteran of over 140 film scores. The film's breath taking cinematic work, a Polish-French production, was made possible, given all its logistic challenges, owing to the management skills of Lew Rywin of Heritage Productions, the Polish producer of Schindler's List.

The Storyline and Context of the Pan Tadeusz



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